00:00:00:00
INTRO
00:00:15:00
WORK
00:00:39:00
APPROACH
00:00:57:00
CONTACT
00:00:00:00 REC ● CAM 01
1.78:1 / 3840×2160
Video Editor & Motion Designer

Let's make your visuals unforgettable.

I've spent the last 2+ years learning one thing well: how to make people stop scrolling. As a video editor and motion designer, I turn raw footage into polished, story-driven content — sharp cuts, intentional color grading, and transitions that feel invisible but do all the work. I care less about flashy effects and more about pacing that keeps someone watching till the end. If that's what your project needs, I'm your editor.

TRACK 01

Selected Work

Four recent cuts, click any clip to play. Each one solves a different brief — vertical-first social, guided real estate tours, and landscape cinematic pacing.

16:9 · 4K 00:16
Cinematic Landscape Cut

Wide-format sequence built around deliberate pacing and a full color grade — used for brand and narrative-style delivery.

Color Grading Pacing 16:9
16:9 · 4K 00:13
Motion Graphics

Fast-paced short-form cut built for feed and Reels — tight cuts, on-beat timing, mobile-native framing.

Social Motion Graphics Sound Design
9:16 · 4K 00:24
Real Estate Walkthrough

Vertical property tour edit — smooth transitions between rooms, framed for mobile-first listing platforms.

Real Estate Vertical Transitions
9:16 00:15
Podcast Edit

Single-subject vertical edit focused on rhythm and clean coverage — built to carry attention start to finish.

Solo Subject Vertical
TRACK 02

Approach

Every edit starts on the timeline, not the effects panel. Story and pacing first — the cut has to earn attention in the first second and hold it, whether that's a 15-second vertical clip or a two-minute walkthrough.

Color and sound are treated as part of the story, not decoration on top of it — a consistent grade and clean audio mix are non-negotiable on every delivery, regardless of format.

I work across vertical social content, real estate media, and cinematic sequences, adapting pacing and framing to where the video will actually be watched.

After Effects Premiere Pro
TRACK 03

Contact

Have a cut in mind?
Let's get it on the timeline.